The Jazz Owl
  • Travis Rogers, Jr. -- The Jazz Owl
  • A Love of Music
  • Music Reviews
  • Reviews on Travis Rogers Jr.
  • Meetings with Remarkable People
  • SoulMates by Candlelight
  • Music in Portland
  • Toshi Onizuka
  • The Arts: Film, Literature and More
  • A Love of History
  • Baseball Stories
  • Personal Reflections

Great music with Amazing Friends over a Very Long Distance

6/9/2013

1 Comment

 
PictureJon, Toshi and Reinhardt
It has been over a year since my wife and I moved away from Portland and the wonderful music of that place. We have missed our friends and the places we visited weekly in order to see them perform. Every Sunday afternoon-evening saw us at the Paragon in the Pearl District of Portland to see Toshi Onizuka's trio of Toshi, Jon Hughes and Reinhardt Melz.

The pain of being away from them has been excruciating. We have come to a place where there is limited live music and none of it is the jazz and soul that we so enjoyed in the Rose City.

Fortunately for my wife and I, our dear friends have not forgottten us and they have reached out to us in a wonderful and meaningful way.

We have made it a ritual of affection to always send a text message greeting before a performance of our beloved SoulMates and Toshi Onizuka Trio. This means that every Sunday afternoon, we are texting a greeting for a good show to Toshi and Reinhardt and Jon (through Toshi and Reinhardt). Today, they sent us the best greeting imaginable...

I had left my iPhone in the other room and did not hear the Facetime request call from Reinhardt. Nor did I immediately receive the above photo from Toshi with his greeting of love. I couldn't believe that I had missed Reinhardt's call so I called him and he answered! While they were in their third and final set! While he was playing drums!

There was only 20 minutes left in the third set but Reinhardt set up the Facetime call and placed his phone on the front and center table that Chieko and I occupied every Sunday at the Paragon. Oh, my God... we were home again, if only for 20 minutes. We were home!

Separated by 1700 miles and two times zones, we were able to attend the music of dear, dear friends live and at our special seats. We got to hear two songs and one of them was "Light in Shade." If you have read this blog at all before, you must know what that song means to us. In fact, Toshi calls it "our song." So do we.

As soon as Toshi played the opening notes, tears started to flow. Reinhardt's incredible rhythms joined in as well as Jon's jumping bass line. It was all so familiar and all so warm. Their smiles were so wide and their cheerfulness so lively. Chieko said that this dose of being with these friends we love was enough to energize her and give her strength when energy and strength have been so hard to find.

Jon was his usual wonderful self. His laughter is contagious. His humor touched us. There are so many stories to tell about Jon.

The amazing Toshi thrilled us again with "our song." In his quiet way, he spoke so much with so few words and a healing smile.

Our beloved friend Reinhardt. He showed us love in such a profound way. He always stays in touch with us. And tonight he brought us home.

We really love you guys.

1 Comment

Toshi Onizuka Trio with Special Guest Geli Wuerzner...05.20.2012

6/5/2012

2 Comments

 
Picture
Jon Hughes and Toshi Onizuka
What a delight to share music you love with people you love, especially when the music is heart-warming and the product of great musicians. Such was the day on Sunday, May 20, 2012 at the Paragon.

We had taken friends to see Toshi, Reinhardt and Jon, with the added treat of knowing that Geli (Angelica) Wuerzner was going to be there. Geli is a versatile violinist who knows how to listen and when to speak. She was visiting from Seattle and we were privileged to hear her play with Toshi's Trio.

The set opened with Go With the Flow and this certainly must be bassist Jon Hughes' theme song by now as it is required of him week after week. The song begins gently and then becomes laid-back romp. Our dear friends who accompanied us were taken right away. And who wouldn't be? The piece highlights the vituosity of all three musicians and is well-named because that is all that is left the listener--just go with the flow.

Moliendo Cafe follows next with its punchy opening that expands into a truly intriguing work of alternating rhythms and cut-current melodies. Drummer Reinhardt Melz is allowed great room for percussive exploration and he never leads one astray.
In fact, Jon Hughes has said that he has worked with drummers who departed from the rhythm because they were lost. "But with Reinhardt," he says, "you just follow him because he is never lost."

From the sturm und drang of Moliendo Cafe, the mood retreated to the pastoral feel of Banfa's Gentle Rain. It is one of the most easy-going pieces of the set list. It is reflective and sentimental, in a good way. But the finale is a raucous wind-up which settles back to a slow, cool conclusion.

On the article of May 13, I wrote the following:
"But the most intriguing moment of the day came with the bossa nova standard Agua de Beber. When Toshi called the tune, Reinhardt opened with a totally unexpected beat and Toshi excitedly said, "Yeah! Let's go wtih that!" Reinhardt cocked his head and said , "Really?" Toshi was convinced that Reinhardt was on to something. And he was right.

This groove was the rhythm to top all rhythms. This funky-meter pattern was intoxicating. You wanted more and you didn't care what the results were. Toshi and Jon were onboard all the way. Composer Tom Jobim could never have envisioned this! Jobim's bossa nova had run headlong into a Robert Glasper groove and Agua de Beber will never sound the same."

I am happy to say that such is the case. When the trio played the piece again this week, it was with the now-entrenched "Glasper beat." It was as breathtaking as the first time I heard it.

The first set concluded with Black Orpheus which just never gets old. In fact, it is not allowed to age because Toshi, Reinhardt and Jon keep changing it up from week to week, creating a new song every time. This week Toshi added the palmas to Reinhardt's brilliant solo. The rhythms created by Reinhardt are like your heartbeat if you are running through the lightning while being chased by a tiger.

The first set ended with everyone present definitely wanting more. Our friends were wide-eyed. We had told them that they would enjoy themselves but they had no idea just how far over the moon they would be taken. 

The second set began with Geli now sitting in with the Trio for a cool cover of Samba Pa Ti. As I stated, Geli is a good listener. She did not know the song but took the time to play along with the chords and pick up the movement so that, when she did contribute, she nailed it.

She is funny, she is smart and she knows how to move within the structure of the music. She has great harmonic intuition that can take a song unknown to her and make it sound as if she has played it for years. She did it again for the 6/8 Blue Bossa and she repeated it all evening long.

When Blue Bossa concluded, Jon called for Dust in the Wind which brought guffaws from the audience. Fortunately, that was not what followed.

Picture
Toshi and Reinhardt
What did follow was When You Passed By. Again, Toshi made room for Geli's interpretive addition and it was rewarding. Even if she did not know the piece, Toshi simply encourages with "You can do it."

Toshi encourages with words and with his music.

One of our friends was tired when we arrived and we were not sure if she would be up to staying for the whole three hours. By the end of the second set, she had renewed energy and announced that we were going nowhere.

The Andalusian 6/8 Improvisation was so fascinating that even the comatose could find enough energy to stay on. The mighty groove of the improv found Reinhardt and Toshi in complete cooperation with Reinhardt's drumming and Toshi's thumping on the guitar's body. Intoxicating.

The applause was thunderous.

The old standard Besame Mucho slowed everyone's heart-rate down and Bitter Smile was a fine set-up for the evening's finale.

You have read it from me over and over. Light in Shade is just amazing. Happily, it will be on Toshi's next CD. He has just begun recording it and already I cannot wait. I have never had a piece of music so easily move me. Before now, it was the YES song Awaken that had that claim on me. While both songs are introspective and emotional, Light in Shade is purely instumental without the interpretation of lyrics.

It is like a long gaze into a clear pool of water. On the surface is one's own reflection, but looking past that, one can see straight to the bottom with all the wonders so clear for observation. That is the light in the shade--to see what is usually obscure, especially to ourselves.

Toshi, Reinhardt and Jon create just such an environment, that we can see beyond what is on the surface and look to the truth that is so deep within ourselves.

One cannot hear the music of Toshi Onizuka and remain unchanged.




2 Comments

When You Passed By... NEW CD from Toshi Onizuka

4/1/2012

0 Comments

 
Picture
There is no way to pigeon-hole Toshi Onizuka’s guitar playing. He moves from bossa nova to jazz to Spanish guitar with great fluidity and ease. He can play with that percussive flamenco punch but the melody is never sacrificed in his playing. Even at his punchiest, Toshi keeps it close to his heart.

His song selection and track arrangement tells a story and Toshi's  musicianship and from all the contributors makes it a tale worth hearing. 

1 - When You Passed By (composed by Toshi Onizuka) Dave Captein on bass, Al Martin on percussion, Toshi on guitars. The song opens with a slick slide guitar. There is nice interplay between the Spanish guitar and the slide like the back and forth between the watcher and the watched in a pass-by
encounter. The slide gives a playful feeling of some guy’s tongue hanging out as he watches the object of his attention go by.

2 - El Chipiron De Triana (composed by Toshi and Matias Trejo - lyrics) Trejo provides the Rap Andaluz in a lusty, gravelly voice. Al Criado’s bass is a cool underpinning of the piece. Toshi’s guitar is added percussion to the throbbing pulse of the work. This is fun and playful stuff!

3 – Let Me Think (composed by Toshi) Damian Erskine, bass and Al Martin, congas. There is a beautiful, daydreaming feeling. There are some sweet chord changes here and the movement within the song is inspiring and uplifting. Erskine and Martin provide understated bass and rhythm which enhances the piece splendidly.

4 – Espresso (composed by Toshi) Recorded at Toshi’s house with Reinhardt Melz (drums) and Victor Little (bass). The sounds of the coffee beans being scooped and ground followed by the pouring of the coffee and the spoon rattling in the cup set the rhythm for the opening of the song. This is the first appearance of Reinhardt on the album who sets a cool groove punctuated by Little’s punchy bass line. Toshi also trades percussive licks with Reinhardt during Little’s swift bass solo. Toshi pulls the piece back into a percussive melody like few can.   

5 – Wave (composed by Antonio Carlos Jobim) Toshi solos on this one. There is a subtle eight note nod to The Champs’ Tequila in the middle of this Jobim classic; the man who practically invented bossa nova. The sound of flowing water provides the backdrop. The song fades out to Smoke on the Water. From Jobim to the Champs to Deep Purple! What a ride.

6 – Pipeline (composed by Bob Spickard and Brian Carmen) Ryan Stabach (drums) and Toshi (guitar and bass). Pipeline
become a bit of a surf rock classic. The tune has been covered by Lawrence Welk, The Ventures, Agent Orange, Dick Dale, Anthrax, Bad Manners, and Johnny Thunders. Toshi roars through the song with the greater speed than even Dick Dale but stills colors the piece in his own unique sound. It is the most fun track on the CD. It may not be my favorite track, but the most fun. In case you don't remember the song, below is the link for The Chantay's original version. Try not to get distracted by the surfing videos.

7 – Difficult Flower (composed by Toshi) with Damian and Reinhardt as the coolest rhythm section you would ever hope to find. While the rhythm section keeps the solid backing, the front work on Toshi’s guitar is complex but alternating between grace and fire; legato then staccato. The melody line is memorable.

8 – Gentle Rain (composed by Luiz Banfa) Toshi plays it all: guitar, bass, shaker, cajon and frying pan. Banfa’s classic has found fresh breath under Toshi’s playing. The original had honestly become a bit dated and sounded like a 60’s movie soundtrack. Oh, wait…it was a 60’s movie soundtrack! Toshi brings it right to the present and gives it his own heart and touch.

9 – Song for Fighter (composed by Toshi) solo guitar. Shortly after the March 11, 2011 disaster in Northern Japan. His dedication is to “everyone who follow a thorny path.” This is my favorite track of the album. It is not a cheer or an encouragement but a consolation. There are moments of utter heartbreak followed by moments of hope. The song fades on a sad but optimistic note.

10 – Bitter Smile (composed by Toshi, Lyrics by Tracey Harris) Tracey Harris is the vocalist with Farnell Newton on Flugelhorn. Dave Captein on bass, Al Martin on percussion, and Toshi on guitars. Tracey’s vocals have a Basia quality. As always, Farnell
Newton provides an excellent horn insertion. Toshi’s guitar is as quick and fleeting as a bitter smile. The vocal harmonies are rich against Toshi’s aggressive guitar. This is a surprisingly addictive song.

11 – Tu Lo Sbias (composed by Toshi) Jon Hughes on bass with Israel Annoh on congas and bongos. Israel Annoh is the great drummer from Ghana and Jon Hughes provides an even and melodic bass. Jon is a subtle player and a gentleman. Annoh and
Hughes allow a lot of room for Toshi to explore beautifully. Such rich melody and warmth.

12 – When You Passed By / Sunset Beach (composed by Toshi). This reprise is with acoustic guitar instead of the slide. The difference between the opening version and this closing version is the difference between attraction and attainment. It is no
longer the wild speculation but satisfying realization with all the moments that have gone between. It is almost a remembrance of that first sight, looking back to the first attraction after years of life together. The recorded wave sounds of Sunset Beach provide a welcoming backdrop to the emotions of the sweet melody.

Toshi Onizuka cites his influences as Al DiMeola, Paco de Lucia and Django Rhinehart but he is not limited by mere impersonation. Toshi follows his own sound and creates that sound with every melody and phrase that issues from his guitar.

This is a fulfilling album.


Toshi's CD can be purchased at CDBaby here: http://www.cdbaby.com/cd/toshionizuka2 or at any of his live performances.
0 Comments

    Author

    Travis began studying music at the age of seven and has continued that study for his whole life. It remains his first, best love.

    Archives

    July 2014
    June 2013
    June 2012
    May 2012
    April 2012
    March 2012

    Categories

    All
    Damian Erskine
    Israel Annoh
    Jarrod Lawson
    Jon Hughes
    Reinhardt Melz
    Toshi Onizuka
    Victor Little
    What A Beautiful Day

    RSS Feed

Powered by Create your own unique website with customizable templates.