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Anaȉs Reno's Debut Album - Lovesome Thing

6/16/2021

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Joey Alexander isn’t the only Jazz prodigy around. Ladies and Gentlemen, introducing Anaȉs Reno, vocalist extraordinaire and possessing the soul of one born to sing Jazz. Her incredible debut album is Lovesome Thing: Anaȉs Reno Sings Ellington & Strayhorn. The superlatives that come to mind still fall short of accurately describing the grace, sophistication, and heart of this 16-year-old phenomenon.

It is not just her vocal abilities—which are incredible—but her ability to accurately interpret songs and their lyrics with the aplomb of a Sarah Vaughan. She can be witty and wise, warm and absolutely wonderful. All from a young woman who started singing at Birdland’s open mic night at the age of 12 years old. At 13, she was a leader. At 15, she decided to record her debut album. Having already performed a Duke Ellington and Billy Strayhorn tribute at Birdland, and having such a natural feel for their music, her mother suggested her debut album be entirely of Ellington/Strayhorn compositions.

That’s good news for us. Who doesn’t adore Billy and the Duke? She says, “I can’t imagine it being any other album. It’s a good representation of where I’m at musically and personally. The overall color of the album, a little sad, a little blue, a little romantic, is really me.”

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Gianni Valenti, owner of Birdland, helped Anaȉs recruit the right musicians. Emmet Cohen is an internationally renowned pianist and composer who has worked with some of the top names in the Jazz world. Let’s be honest, Emmet is one of the top names in the Jazz world. With Anaȉs and Emmet are bass player Russell Hall and drummer Kyle Poole. Anaȉs wanted to add depth and texture so Cohen asked saxophone player Tivon Pennicott to join the band for the album. Anaȉs’ mother, Juliet Kurtzman, added her violin on Mood Indigo and It’s Kind of Lonesome Out Tonight. The apple doesn’t fall far from the tree as Juliet made her musical debut with the Houston Symphony at the age of 12.

The song selection is remarkable and plays right into the remarkable strengths of Emmet Cohen and the band. And Anaȉs is correct—the mood of the album is a bit melancholic and a little romantic. And a lot of wonderful moments.

Day Dream
is a wonder. Simply gorgeous but, then, everything about this album is. Caravan is still the smoking number we have all come to love and anticipate. I’m Just a Lucky So and So and I Ain’t Got Nothin’ but the Blues are exceptional runs and Pennicott makes some sweet and sad sax additions to really liven things up.

Mood Indigo
and Lush Life both just get you where it counts. Lush Life by Anaȉs is as good as any vocal version you’ve ever heard. I mean, Good Lord. And if opening the album with Caravan was an unexpected delight, so is the album’s closer, Take the ‘A’ Train. Emmet and the fellas are spot on but that is no surprise. Still, Emmet turns in some exciting piano runs. Then there is Anaȉs who takes this signature piece of Ellington/Strayhorn and she just owns it. Pennicott adds that hot sax again and Anaȉs’ scat vocalizations are as outstanding as anyone of our time. Her maturity is so much a part of her that you stop marveling at her young age and simply enjoy the ride of the whole album.

There’s the thing: early on, you stop marveling at her ageless maturity and you marvel at her vocal dexterity and her profound ability to interpret lyrics. With Emmet Cohen and this excellent band, Anaȉs is given the support to show her flawless talent. And there, in an instant, Lovesome Thing: Anaȉs Reno Sings Ellington & Strayhorn became my favorite album of the year.
 
 
                              ~Travis Rogers, Jr. is The Jazz Owl

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