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Meetings with Remarkable People... Coley Worth

2/17/2012

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Picture
Dee Garrett (center) and Coley Worth (right)
In 1977, I began my college career at Indian River State College in Fort Pierce, Florida. As always, I chose that particular school because of one professor who taught there and I wanted to learn from him. I was delighted to find not just one professor of interest in that small community college but three others.

One of those professors was a woman named Ada Coats Williams who was an English instructor. I will write about her in detail someday soon but this is not the day. However, I took a Creative Writing class under Ms. Williams and it opened a door that has never closed.

It wasn't just the instruction I received from Ms. Williams but the meeting and friendship of the students who attended that class that changed me; a boy only 18 years of age. Because attending that class were people of experience, wisdom and depth.

There was a former speech-writer for Governor Nelson Rockefeller. There was a hospice nurse, a Viet Nam vet, a member of the US Diplomatic Corps, a hilarious older Jewish mother who was infinitely proud of her two children, and there were others.

But then there was Coley Worth and his adorable wife, Marcia. This was one of the funniest men I have ever met and Marcia was always the perfect and willing foil to his humor, sometimes having the better lines of the two.

He was born as Coleman Rothmund. His father had operated a minstrel show where Coley, his sister and brother learned to perform before fleeing to join the vaudeville circuit.

Coley had begun his entertainment career as a vaudeville comedian in the late 1920's and make his Broadway debut in A la Carte in 1927. It is still possible to see his act listed in old Billboard magazines from the time period. Listings of him and the occassional review appeared of his performances from New York to New Orleans to Chicago and all points between.

His wit was political, it was sometimes caustic, but Coley had a way of making his real humor hidden beneath the joke. One reviewer for Billboard wrote: "Coley Worth hid his comedy value under old material. When he got off his ad libs - he showed plenty of zany potential, but the hoary routines weren't up to his smart delivery." In other words, Coley's improvisations were the mainstay of his routines. The jokes were just the platform and any old, shop-worn joke would do. The ad-libs suited him well and would continue to suit him for the rest of his career.

Beverly Sills, the great soprano of the Metropolitan Opera in New York City, mentioned Coley in her autobiogarphy Bubbles. She wrote of Coley's ad-libs from the 1960's-70's that would catch her off-guard and make her pause until she could compose herself. She once referred to Coley as "the funniest man I ever knew."

While in New York City in the late 30's, Coley took in a performance of the Radio City Music Hall "Rockettes." These were the high-kicking dancers that spawned so many similar acts. They performed en ensemble with 20-30 dancers or more.

Out of that collection of 20-30, Coley spotted one particular raven-haired beauty and he was determined to meet her. They met, they fell in love and they got married. Marcia Ray was her name and she became Marcia Worth. She eventually joined Coley's vaudeville act and they became known as "Coley Worth and Marcia." All the reviews of the time agree that adding "the statuesque Marcia" was the best thing he could ever do for his act.

According to Coley, adding Marcia to his life was the best thing he ever did. Even in his seventies, Coley would look at Marcia and he still saw the Rockette.

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Die Fledermaus program from a road performance in 1964.
In the 1960's, Coley performed on Broadway in A Funny Thing Happened on the Way to the Forum as well as in the travelling stage show of Hello, Dolly! with Ginger Rogers in the lead role. Later he was in the same production but with Betty Grable in the lead. He was also in Man of La Mancha during the same period.

In 1967, he appeared on television as Professor Gustav Steinhart on The Jackie Gleason Show in the "Hair to a Fortune" episode. It is on DVD.

In the early 1970's he returned to Broadway in 70, Girls, 70 but had drawn the attention of the Metropolitan Opera of New York a years earlier. The Met had cast him as the Major-General in H.M.S. Pinafore and as Joseph Porter in Pirates of Penzance. 1977 saw a revival of Anything Goes with Coley performing.

But without a doubt, his most famous role was as Frosch, the drunken jailor, in Johann Strauss' Die Fledermaus (The Bat). This was a role he played 15 times or more. One reviewer in the Toldeo Blade, said that Coley "carried off the role hilariously." In fact, Coley has become the standard by which all other actors approach the role of Frosch. Lee Cass was the actor who took the role after Coley suffered a stroke in 1978. In an interview, Cass admitted that "Most of what I do is taken directly from Coley Worth."

Picture
The Cast page from the above program.
In one performance of Die Fledermaus, Beverly Sills recalled the scene where she wore a low-cut evening gown and was smoking a cigarette with a cigarette-holder. Coley walked up to her and said "Smoking, I see." Then, looking down her dress,  added "And filter-tipped, too!" She had said that it was difficualt to recover from that.

It was just after his performance in Anything Goes that I met Coley Worth and Marcia. As I said, we all took Ms. Williams' class together.

Marcia still thought he was funny and she always smiled brightly and laughed at his jokes. Even the old ones. 

That is in no way to suggest, however, that Marcia was a witless trophy wife of a by-gone day. She was funny. She had a very quick wit. But she was great at giving him the set-up lines.

I'll have to admit that Coley upset me once. When we had written our assignments, Ms. Williams would have us read them to the rest of the class. On one assignment, I had written what I thought to be a moving piece that was sure to bring forth tears from my hearers! As I was reading it, however, Coley was absolutely howling with laughter. And I mean howling! I can still hear it in my head. The difference is that now it makes me smile to hear it.

At the time, I was annoyed beyond belief. Ms. Williams was emabarrassed for me. Marcia scolded him. I fumed. In fact, I asked him what was so funny. He answered, "Sorry, kid. I know you want it to be serious but here's why it's funny..." and he then showed me that the way I wrote it left these hilarious underpinnings that he loved from the beginning of his career. He showed me what funny really was. He changed the way I wrote in profound ways. Ms. Williams showed me how to use the tools but Coley Worth showed me how to craft.

We loved that class so much that we begged for a Creative Writing 102 where none had existed at that college. We did not want to separate from each other. Ms. Williams went to the curriculum committee and they granted her petition for a second semester of Creative Writing. So, in 1978, most of us enrolled in the new class.

In between the classes, however, Coley suffered a stroke that left him in a wheelchair and with slurred speech. I know I shouldn't say it like this but... it only made him funnier! And he knew it. He said the most God-awful things and then, when he was reprimanded by Marcia or Ms. Williams, would blame it on "that damned stroke."

He told stories of all the old actors and the old playhouses. We went to see Ginger Rogers performing at the Burt Reynolds' Dinner Theater in Jupiter, Florida. This was the place for actors whose careers were in twilight. It was fun to see them perform, but a bit sad, too.

After the show, Coley and Marcia took me backstage to see Ms. Rogers who had been in so many performances with Coley so many years before. When she saw Coley, she brightly asked, "Well, Coley? Any advice?" "Yeah," replied the chair-bound Coley, "Get out of show business. You look ridiculous." She was stunned. Marcia was horrified. I wanted to hide.

Coley pressed on with "Don't be remembered as a dottering old has-been!" And we knew that he was talking about himself.

I went on to another college in 1979 and never got to see him again. He left us in 1987.

The New York Times carried the news of his passing. It was the October 14, 1987 issue; my birthday.

New York Times: Coley Worth, 79, Dies; Actor and a Comedian
Published: October 14, 1987
 
Coley Worth, an actor, singer, comedian and dancer in theater and television, died of pneumonia last Friday in Port St. Lucie, Fla. He was 79 years old and lived in Port St. Lucie.

Mr. Worth performed often with the New York City Opera, specializing in the role of Frosch in ''Die Fledermaus,'' which he performed with many other opera companies around the country, as well as the Major General in ''H.M.S. Pinafore'' and Joseph Porter in ''Pirates of Penzance.''

Mr. Worth, born in Rome, N.Y., was originally named Coleman Rothmund. His father, a tailor, also operated a minstrel show where Mr. Worth, his sister and his brother learned to perform before running away to join the vaudeville circuit.

Mr. Worth made his Broadway debut in 1927 in ''A la Carte.'' His Broadway credits later included ''A Funny Thing Happened on the Way to the Forum'' and ''Seventy Girls Seventy,'' as well as national tours of ''Hello, Dolly!'' and ''Man of La Mancha.''
  
Mr. Worth and his wife, Marcia Ray, toured  for many years as a vaudeville act called ''Coley Worth and Marcia.''

In addition to his wife, he is survived by three daughters, Caroline Worth-Tyrrell of Morristown, N.J., Wendy Worth of New York City and Penny Worth Anderson of Chicago; a son, Peter, of Stuart, Fla.; and four grandchildren.


If only I could have seen him one more time.

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Meetings with Remarkable People: Walter Harrelson. Scholar. Teacher. Gentleman.

2/6/2012

164 Comments

 
PictureWalter Harrelson
"Biblical scholar, teacher, translator, builder of bridges among religious denominations, and distinguished academic administrator, Walter Harrelson has, like the Old Testament prophets he knows so well, been a clarion voice for the understanding of religion in the modern world." This was the preamble to the University of North Carolina's 1994 declaration awarding Walter Harrelson the honorary Doctor of Letters degree.

He had begun his college education at Mars Hill College which was only a junior college at the time. He told me that he studied Greek six days a week starting at 7.30 am. After the entry of the United States into World War II, he had served in the US Navy during the whole of the war from 1941-45.

After the war's end, he received his B.A. from the University of North Carolina in 1947 and went on to receive his Master of Divinity (he completed the three year program in two years) and Doctor of Theology degrees from Union Theological Seminary in New York City. Even though he received his graduate degrees from Union, he had also studied at Columbia University having desired to learn the Assyro-Babylonian languages. He also studied for a year at the University of Basel (Switzerland) where he studied under Walter Eichrodt and the renowned Karl Barth. At Union, he had enjoyed Reinhold Niebuhr and Paul Tillich as instructors. He had also gotten to take seminars and become acquainted with the likes of James Muihlenberg, Abraham Heschel and Martin Buber. Towering giants in religious studies all.

He was offered an instructor position at Andover Newton Theological Seminary while working on his doctoral dissertation (which was over 600 pages and was a phenomenology of religion approach to understanding religion in the ancient world). All the while he continued to study at Harvard under another giant in Old Testament Studies, Robert Pfeiffer. Still he was piling on the ancient languages. He had also been one of the first students of a newly discovered language called Ugaritic which was a Canaanite dialect and would open new understanding of problem texts in the Hebrew Bible.

This was one of the first things he told me as his student: "The first duty of the scholar is to get languages." He was right, of course, because no advice ever served me better in my academic career. I remember sitting in his office as I studied Hebrew and Aramaic with him. Sometimes I would arrive at his office to find him on the phone with Samuel Terrien or Jaroslav Pelikan or Bruce Metzger. I would eavesdrop and hear him discussing the work-in-progress on the New Revised Standard Version of the Bible or something equally fascinating and awe-inspiring. While trying to appear as though my attention were elsewhere, I would browse his bookshelves and see books and facsimile pages of Hebrew, Classical Ethiopic (Ge'ez), Chaldee, Koine Greek, Syriac in addition to all the modern languages like French, German, Italian, and on and on. It was a world I wanted to enter desperately. I wanted Jeremiah to speak to me in his own language. I wanted to know what Paul was truly saying and not have to depend on a translator whom I did not know. I had heard Caesar speaking in Latin but I wanted to hear what Jesus would have sounded like in Aramaic. Professor Harrelson held the passport to that world for me.

Harrelson stayed at Andover Newton for four years until he was offered a phenomenal opportunity. He was asked to be Dean of the University of Chicago Divinity School. The same position that would later be held by the likes of Paul Tillich and Paul Ricoeur. "But," Harrelson says, "they wanted a Baptist to be dean and a professor of Old Testament and I was both. So when Chicago calls..." The amazing thing is that he was only 35 years of age. Ironically, Harrelson had applied to two graduate schools in 1947; Chicago and Union. Chicago never answered him back.  Now he was the dean of the school that had ignored him and he remained there from 1955-60. In 1959, he published his book Jeremiah; Prophet to the Nations.

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The time consumption of being dean at the University of Chicago Divinty School  had made his his sweet wife Idella unhappy and she gave him a wake-up call. She  frankly asked him if he really wanted a family. At this time Vanderbilt  University in Nashville, TN offered him a professorship in their Divinity School which he accepted. He was able to be the scholar that he wanted to be and not be stuck with the burdens of administration.

His scholarship was made evident immediately. In 1962 he contributed several articles to
The Interpreters' Dictionary of the Bible, a standard reference work for scholars and students. In 1964, Holt, Rinehart and Winston published Harrelson's book Interpreting the Old Testament. It was such an important work. It showed him to be a scholar so in touch with history. It wasn't just history, however, that informed his
thinking and his scholarship. Of equal importance to him were literature and the arts. The work was a cultural understanding of religion. This was what drew me to study with Walter Harrelson in the first place. 

In 1967, Harrelson was offered the job of Dean of the Divinity School at Vanderbilt. He agreed as long as it did not cut into his teaching or research. It did not and as a result, his next major writing, From Fertility Cult to Worship was published in 1969
(Doubleday) in which he dealt with Israelite worship in the context of worship among the peoples surrounding Israel. Again, culture and history always supplied the context for his study of the primary target. 

He served for eight years as dean until 1975. In 1975, he was granted status as Distinguished professor of Old Testament. He retained this status until his retirement from Vanderbilt in 1990.

PictureOriginally published in 1978 by Fortress Press.
However, it was his next book that first drew my attention in 1978. Fortress Press published his remarkable book The Ten Commandments and Human Rights. While he certainly discussed the various commandments in the Hebrew Bible, and he certainly gave fresh insights into what they meant then and can mean now, what was so important for me was once again how he spoke of these commandments as ideals of human freedom and responsibility. The appendix, in fact, included the 1948 United Nations' Declaration of Human Rights.

Furthermore, he opened a dialogue between Judaism and Christianity that was important and compelling. He offered a prophetic rebuke of Christian triumphalism and created an understanding of the compatibility of the Hebrew Bible's Ten Commandments and the New Testament's Two Commandments of Loving God and Loving Neighbor. In fact, he went on to point out that the Ten are the means of implementing the Two.

I had never read anything like that! Of course, I was only 20 years old when I read it, so I hadn't really read much of anything by that time. But in August of 1981, I would enter the graduate school at Vanderbilt University and all of that would drastically change. Professor Harrelson became my adviser, even though I only had an Old Testament minor. History of Christian Thought was my major field.

PictureWalter Harrelson and Governor Easley, NC.
From the very first class, from my very first meeting with him. I was taken by his southern charm and his gentlemanly demeanor. He was brilliant but he was engaging and he was certainly interested in his students as people. I was able to sit in his office and discuss my own problems and my future. I think he reminded me of my grandfather who had passed away four years before my entry to Vanderbilt.

I'll admit, he was also strong and determined about what it takes to make it in the academic world. And he certainly had a sense of proper procedure in scholarship and in academic process. 

One of my friends (I would really love to tell you his name but I don't want to embarrass him all over again after these 30 years) had finished his coursework and was ready to begin preparation for his qualifying exams. [I should tell you that the procedure for a Ph.D was that you completed two years of coursework, followed by the successful completion of a series of qualifying exams in preparation for the submitting of a dissertation abstract and the ultimate writing, submission and acceptance of that dissertation followed by an oral defense of the dissertation.] Now usually one would take several months to prepare for those mind-numbing qualifying exams.

There we were, several of us in the refectory of the Divinity School/Graduate Department of Religion, having lunch and our friend staggers into the hall, ashen-faced and almost trembling. "What's wrong?" we all asked, almost in unison. "I...I...I just came form Harrelson's office," he began.

None of us could ever recall a bad meeting with "Uncle Walter." So, why was he so shaken?

"I went into his office," he began again,"and I told him that I would take my take my qualifying exams in October. He...he just glared at me. Then he said 'Exactly...since...WHEN...do...STUDENTS...tell their PROFESSORS...WHEN they will or will NOT... take their QUALIFYING EXAMS???'"

Everyone erupted into laughter. The procedure was that the professors would inform the student when the qualifying exam would be administered and the student simply had to be ready. After all, schedules had to be coordinated among the various faculty members and there were many other considerations. Our poor friend had also picked the worst possible day to make this blunder since Harrelson had just gotten some news about the translation going on for the New Revised Standard Version of the Bible for which he was Old Testament Committee Chair. He was not happy that day. And our friend walked into a once-in-a-century hurricane.

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When I think of Walter Harrelson, I am reminded of the opening line of the Akkadian epic Gilgamesh: "He had seen everything..." Harrelson had been born in a very small North Carolina town. He had worked on the family farm. He had worked 10 hours a day at a sawmill. He worked for the Department of Justice when he was just 15 years old (and had to lie about his age to do it!) and had considered joining the FBI. He attended a small junior college and had his academic career interrupted by the Second World War. He graduated from the University of North Carolina and then went to Columbia University, Union Theological Seminary, and Harvard almost simultaneously with a year at University of Basel tossed into the third year. He taught at Andover Newton Theological Seminary while finishing his dissertation and then to the deanship at Chicago and then to Vanderbilt. He had served as Rector of the Ecumenical Institute for Advanced Theological Studies in Jerusalem from 1977-78, then served on the Advisory Committee from 1980-84. For 15 years, he worked on a project to preserve and microfilm vast numbers of manuscripts from Ethiopian monasteries, having been personally asked by the Patriarch of the Ethiopian Church. He had had an audience with the Pope. He was loved by thinkers. He was feared by legalists. He was lovingly embraced by so many denominations but never by his own. But he was determined to do what was set before him. He was out to build bridges and tear down walls.

With all of that, however, he never stopped thinking of his beginnings and his debt to those who had shaped his thinking. He would affectionately refer to "My professor" when speaking of Muihlenberg... or whomever. But for all those great names who taught and influenced him, his highest praise and deepest gratitude went to a woman he called "Aunt Zora." She was his father's sister and she lived down the street from his family but also taught the children's Sunday School class.

She was the one who opened his eyes to what true Biblical scholarship should be. She would say, "Yes, I know that this is in the Bible, but there is something not quite right here." He credits Aunt Zora with teaching him that there are things that we do not understand in the text and so we probably need to know more about what was going on there. He would find out that there are conditioning factors in the text of the Bible. There are language considerations, there is historical conditioning, there are literary elements bound up in the text. There are reasons why The Book of Chronicles and The Book of Kings do not agree regarding the death of King Josiah. There are reasons why The Epistle to the Hebrews misrepresents what was in the Temple.
There are reasons why Ezra-Nehemiah condemns inter-marriage but Ruth welcomes the outsider.

With that kind of un-idolatrous outlook, it allows for a humorous and human understanding of what is written. In his class on The Law in the Old Testament, he commented on the law's prohibition against bestiality by saying, "Now why would they have to include such a law unless it was a problem? But for some poor shepherd boy stuck out in the fields for a month, well I guess those sheep start looking pretty good. So he had to be told not to do it!" He referred to The Song of Songs as "arousing stuff."

And that, my friends, was his whole point--the texts of the Bible have human life at the center. The Hebrew Bible never meant to answer how we got here but to describe our place among the cultures of this world. I think it was that understanding of cultures in dialogue that led to his writing Jews and Christians: A Troubled Family with Rabbi Randall Falk in 1990 and Jews and Christians in Pursuit of Social Justice also with Rabbi Falk in 1996. Both were published by Abingdon Press.

The 1990 publication of the New Revised Standard Version of the Bible has been called his crowning achievement by some. He was Vice-Chair of the Translation Committee and Chair of the Old Testament Translation Committee. For me, it was his General Editorship of The New Interpreters' Bible (NRSV) in 2003 that stood at that same level of achievement because it brought together first-rate biblical scholarship and translation into one source. It was truly his doing.

Walter Harrelson retired from Vanderbilt in 1990 and was granted Professor Emeritus status. In 1995, Wake Forest University in Winston-Salem, North Carolina called on him to create a Divinity School for that university. He became Professor of Religion at Wake Forest and when he finished his creation of their Divinity School, they also granted him Professor Emeritus status.

He shaped  generations of students and scholars from 1951 to 1990 in his teaching. His influence will continue to be felt by every student who attends Wake Forest University School of Divinity. His unprejudiced and unveiled understanding of the Bible in particular and cultures in general will continue to impress and influence everyone who reads any of his writings and translations.
 
For me personally, he was a leader against oppression in any of its forms; political or religious. He has resigned in protest when Vanderbilt University had unfairly dismissed an African-American student during the Civil Rights Movement of the 1960's. He signed a declaration by Roman Catholic and Protestant scholars in 2002 which denounced Christianity's misguided attempts at proselytizing Jews. For this, Harrelson was singled out for attack by the Southern Baptist Convention as Harrelson himself was born and raised Southern Baptist.

He has refused to bow to institutional pressure of any kind; church or university or government. At home as a researcher, translator, and cultural scholar, Professor Harrelson has no reservations about speaking in a prophetic voice. He criticizes religious leadership for failing to see the modern world as it is. For the educated clergy to hold fast to the ethics of a primitive people is "sick" as he calls them. "Sick is the only word to use because they are educated and they know better. So if they hold to these notions of fear and intolerance, then sickness must be the cause because intelligence and reason could never lead to those conclusions."

Even when he speaks so outraged and defiant, he remains a gentleman. His anger was anger against oppression. He spoke for equality and justice and compassion. His words have made him truly admired and respected. He has put his stamp on the world in which we live and in the way we can think, if we choose.

In the midst of everything that brings turmoil, he has his haven. It is his lovely wife Idella. She has always been his place of refuge. I remember a year-end dinner at Vanderbilt. I was sitting by friends and enjoying the evening. Some of the faculty entertained us with speeches or jokes or stories. The most moving moment, and one I can never forget, was when Walter Harrelson, Distinguished Professor, took up the microphone and began to sing to his wife. The song was Mud Pie Days. It was about being old but still feeling the youth they experienced together when they made mud pies as children.

When his career was finished, he returned to his home in a small town in North Carolina; like Gilgamesh returning to Uruk. The return home was not the end as he continues to build on everything he has learned and taught. Like Gilgamesh, he has seen everything and look at what he has done.


                                    He who has seen everything, I will make known to the lands.
                                            I will teach about him who experienced all things,
                                                                            ... alike,
                                                                   Anu granted him the 
                                                             totality of knowledge of all.
                                                He saw the Secret, discovered the Hidden,
                                               He brought information of before the Flood.
                                                                 He went on a distant 
                                                 journey, pushing himself to exhaustion,
                                                        but then was brought to peace.

                                                                ~ Gilgamesh, Tablet I ~


Professor Harrelson died on September 5, 2012, at the age of 92. His beloved Idella had already departed.

I had written the above concerning Professor Harrelson six months before he died. This article was included in the obituary section on the web site of the Society of Biblical Literature. I received a kind message from David Harrelson, the professor’s son, which read: “I didn't know half of this about my father. Thank you for your kind words.” 

Picture
Walter Harrelson at his home in North Carolina at age 91.
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    Meetings with Remarkable People


    Travis Rogers, Jr.

    From early in his life, Travis decided to follow a life of study, teaching and writing. In studying the ancient languages required for doctoral work, he became fascinated with the cultures themselves and the worldwide search for and reflection of the Divine. Travis is interested in people and what draws them together. It has been an interested quest, especially in the study of music as a "universal language."



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